Summer read - how to be creative by Hugh MacLeod

I read "How to be creative" by Hugh MacLeod on his website Gapingvoid a long time ago and read it again recently. This is not new but it is still good and summer is the ideal time to catch-up on reading.

The drawings are very good and funny too.

The author expanded upon this article and it became a book titled Ignore Everybody.

Four lemons - oil painting

Four lemon - oil on panel (6" x 8") by Benoit Philippe

My unique painting apron

Last time I ordered some art material online, I was short a few pounds to get the free delivery. So, I browse the catalog and bought a painting apron.

As the apron is made of a plain light fabric, I asked daughter number 3 to decorate it with some purple fabric paint I had. She had a good time.

Now, I am less worried to ruin good clothes when painting (which I did) or having to stop to remove a paint stain in emergency.

Sitting on the dock of the bay

I chose the title of this painting in homage to Otis Redding whose “Sitting on the dock of the bay” is one of my favourite songs.

Sitting on the dock of the bay - oil on linen canvas (50 x 60 cm) by Benoit Philippe

And as it happens, the lyrics fit very well what was happening this morning, as I was walking along the docks, on my way to Pier 39:

I left my home in Georgia

Headed for the 'Frisco bay

'Cause I've had nothing to live for

And look like nothin's gonna come my way

So I'm just gonna sit on the dock of the bay

Watching the tide roll away

Ooo, I'm sittin' on the dock of the bay

Wastin' time

I walked all the way to the end of Pier 7. It was early morning and I was alone, apart from some amateur fishermen. There was no fog, I was lucky; but the wind was strong.

When I came back, I saw this man with his trolley. All his possessions were stacked on that trolley, secured with ropes. And he was watching San Francisco Bay, the light sparkling on the water, the boats and Bay Bridge in the background.

I wanted to do a painting using mainly greys. This was an ideal subject for it with the backlit man, the railing and the strong shadows.

I started using greys, black and white. The result was dull. So I decided to play on the contrast between blue and yellow and use greys tinted with both tones. The painting is mainly in the cool spectrum. The only warm colour I used was a Naple Yellow Reddish colour.

Here is the full palette I used for this painting:

• Titanium White (Griffin Alkyd – Winsor & Newton)
• Naple Yellow Reddish (Rembrandt)
• Cadmium Yellow Pale (Winsor & Newton)
• Davy’s Grey (Winsor & Newton)
• Payne’s Grey (Mussini / Scmincke)
• Cobalt Blue Tone (Mussini / Scmincke)
• Ultramarine Blue

Oil painting San Francisco Pier 7 Bay Bridge Californian Dream exhibition

Californian Dream exhibition

After some delays (see my post Invest in the process, not in the outcome), everything is set in motion now for my Californian Dream exhibition starting late September.

Here are the details:

• 27th September to 26th November 2010.
• Private view: Wednesday 29th September 5-7pm
• Wyvern Theatre, Theatre Square, Swindon SN1 1QN - 01793 524 481

“Californian Dream” exhibition is an evocation of California from the wild nature of the Yosemite to the buoyant city life in the streets of San Francisco. I will show some oil, watercolour, pastel and mixed media works.