Monday, 1 November 2010

Winston cafe (Paris)


Winston cafe (Paris) - Oil on panel canvas (6" x 8") by Benoit Philippe

I shot the reference photographs I used for this painting while in Paris. It was dawn and did not know if the photos would be any good.

I decided to play on the contrast between complimentary colours to build this painting.

Thursday, 28 October 2010

An artist’s use of online colour palette generators

There are a number of colour palette generators available online. Just type “colour palette generator” and then “color palette generator” in Google and you will find a comprehensive list.



The most useful generators are the ones where you upload a photograph (or indicate the URL of a photograph) and the online tool generates a palette from the image. I selected the Color Palette Generator on the CSS Drive website for this article.

The first use of the tool, if you are a painter, is to generate a palette from your reference photograph. This gives you a good indication of the colours and hues you could use for the painting. This is interesting because the palette generated may be different from your usual palette. This way, you can grow your colour vocabulary.




A second use of the online palette generator is to create a palette based on the final painting. If you do that with several of your paintings, it may show you your colour bias.

Relaxing at Mevagissey - Oil on canvas by Benoit Philippe


You get even more interesting information when you compare the palette obtained with the final painting with the palette generated by the tool from your reference photograph.

 

Monday, 25 October 2010

Autumn walk in Clouts Wood - my week-end plein air session

On Saturday morning, I drove to the near-by village of Wroughton (Wiltshire - England) to paint in Clouts Wood. The trail starts at the top of the hill and leads into a nice secluded valley. There is a stream and, with the recent rain, the path was muddy.

Here is the finished painting at the end of the session.

Autumn walk in Clouts Wood - Oil on canvas panel (6" x 8") by Benoit Philippe

There is nothing like painting plein air. It is hard to recapture in the studio the atmosphere of a place, unless you sketch or make a small painting to fix your memories.

First I wanted to find the right spot. I had to cross a field where cows were eating some shrubs. One of them started to run in my direction and I had to reach the gate faster than I planned to...




After that, I stopped several times, watching in all directions: your best view may be in your back. There was an old elm with yellow and orange foliage. It was tempting, but I wanted to capture a view of the valley. I crossed the shallow stream, walking carefully on some dead branches.

The Spot below was good. The overcast weather made the colours grey and it would have been difficult just to work from a reference photograph. I shot one with my digital camera, just in case the rain would come.

I sat on my folding 3-legged stool. Not the most stable seat on soft grassy ground...




Ready to paint

I get ready to paint. Colours are laid on the palette and I have a pair of mittens (it's cold and  I need to be able to move my fingers).

Below is the initial under-painting. After that, I did not stop until the end.



I did not see any rambler. The only visitors were a couple of grey squirrels, a noisy bird and a sheep with a black head that watched me from the other side of the stream and then went away.

11:00 a.m. I have finished the painting and head back to the car. I can hear the first drops of rain hitting the leaves.

Thursday, 21 October 2010

My guest post on Fine Art Tips: 10 Tips to Bring Visitors to Your Art Fair Booth or Open Studio

I invite you to do read my first guest post on the Fine Art Tips blog from Lori McNee. It is titled
10 Tips to Bring Visitors to Your Art Fair Booth or Open Studio. If you like it, let people know on Twitter, Facebook or by leaving a comment...



Wednesday, 20 October 2010

The power of letting things come



Sometimes, you need to let time works for you.

Kafka's Portrait


“You need not leave your room. Remain sitting at your table and listen. You need not even listen, simply wait. You need not even wait, just learn to become quiet, and still, and solitary. The world will freely offer itself to you to be unmasked. It has no choice; it will roll in ecstasy at your feet.”


Franz KAFKA (quoted by Carol Lloyd in “Creating a life worth living")